The TRIG and the Trevisa projects are over-written manuscripts lined with ghost trails
the over-written manuscript and other ghost trails
The Orley and Glasney sites are haunted by their histories. Derrida calls this spectrality (1994), a kind of shard or remnant of the past that Utopian modernism tended to sweep away. Architects like Peter Eisenman and Daniel Libeskind, on the other hand, incorporate these traces into the architectural whole. I think my projects resonate more with this kind of activity. Derrida, J. (1994). Spectres of Marx. London: Routledge.